Maleriet "Underveis 47" av den norske samtidskunstneren Mona Eckhoff

En route 47

44.310 kr
44.310 kr
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Maleriet "Underveis 47" av den norske samtidskunstneren Mona Eckhoff
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  • Maleriet "Underveis 47" av den norske samtidskunstneren Mona Eckhoff
  • Kunstverket "Underveis 46" leveres ferdig innrammet. Innrammingen er flytende, og har en sort list, sort bakpapp og kunstglass.
  • Detaljebilde av maleriet "Underveis 47".
En route 47

En route 47

Kunst av Mona Eckhoff

44.310 kr
44.310 kr

The painting "Underveis 47" by Norwegian contemporary artist Mona Eckhoff

  • Original artwork 1 of 1. 
  • Size including frame: 112 x 165 cm
  • Watercolor on 640 gram paper, with torn edges. 

Framing:
The artwork "Underveis 46" is delivered pre-framed. The framing is floating, and has a black strip, black backing board, and art glass.
KUNSTAVGIFT

Kunstavgift på 5% er inkludert i prisen på alle verk over 2 000 kroner. Det er ikke kunstavgift for verk priset under 2 000 kroner.

FRAKT

For works of art that cannot be sent in tubes, they must be packed in a box. The price of these shipments starts at 5 000 Norwegian kroner (approx. 425 euros).

Formidling av kunst
Dette kunstverket omsettes ved M35 som mellommann i opphavsmannens navn, og er således unntatt MVA.

Mona Eckhoff

Mona Eckhoff (b. 1972) lives and works as a professional visual artist in Oslo. She works in a wide range of expressions – from watercolour, drawing and photography to installation and material-based paintings – and alternates between disciplines in her artistry.

Eckhoff has studied at several institutions in Europe, including the Bergen Academy of Art and Design, the Royal Academy of Fine Arts of San Fernando in Madrid and the DAMU Academy of Performing Arts in Prague. She also has a degree in cultural entrepreneurship from the Norwegian Academy of Music. Through studies and residencies in Copenhagen, Oslo, Madrid and Prague, she has developed an artistic practice characterized by both international influences and a strong connection to Norwegian nature.

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